Phil Wang was on the verge of grabbing the championship belt during Clash of the Comics. Just as he made his move, Ed Gamble burst onto the scene, knocked everyone out, and walked away with the shiny belt. Co-founder Max Olesker, a comedian, clarifies that it was in fact Bullit, Gamble's henchman, who delivered the blow with a devastating move. Olesker insists he could have handled Gamble one-on-one.
The popularity in pro wrestling has fluctuated widely since its golden era in the eighties. Recently, the wrestling giant landed a massive agreement with Netflix, valued at an eye-watering sum, pushing the muscle-bound sport further into the public eye. In the United Kingdom, wrestling has a rich blue-collar history, producing world-class competitors like Will Ospreay. Today, wrestling is branching out into theatrical spaces, with several of productions across the country attracting new audiences through comedy, LGBTQ+ performance, and even living sculpture.
Max Olesker, who previously was known as the UK's youngest pro wrestler, introduced his comedy partner Gonzalez to the sport during their university days. The energy was electric, Gonzalez recalls, comparing it to a over-the-top drama of heroes and villains. As a duo, they created a production that combined stand-up and wrestling, convincing athletes they weren't making fun of the discipline and encouraging performers to take risks. First called The Wrestling, it won a prestigious prize and has grown in appeal ever since.
Renamed Clash of the Comics, the event previously featured Rosie Jones defeating Greg Davies at a major venue. Up next, it will headline Hammersmith Apollo, making its first independent run. The cast includes pro wrestlers like popular fighters and funny people such as well-known acts, with one comic issuing an open challenge to anyone. Adding to the fun, commentators like Nish Kumar will cheer on the villains, while another host supports the good guys. Humor is key, but the main attraction is the spectacle in the ring.
Putting together such an event is a huge challenge. Comedians are sent to training facilities to pick up the basics. As one organizer says, it's similar to how TV programs teach celebrities for specific routines. Olesker adds that, akin to those shows, there's lots of drama among the participants, which makes the show run smoothly.
Wrestling is performance art – you have an alter ego, you're getting the crowd on your side
The sport constantly walks a fine line between authenticity and performance. An expert, who organizes an LGBTQ+ cabaret night, explains it as training to be an competitor and a gymnast, with elements of dangerous moves. It hurts, particularly when learning basic moves like the impact fall. Risk is present, even if planned sequences minimize harm. Live performance heightens this, as events mix prepared and improvised elements. Olesker notes, the crowd's reaction shapes what happens, unlike stage plays.
Bandenberg discovered wrestling by accident and fell in love with the space it provided. Traditional shows wasn't inclusive for women, so she created her own event with drag kings like these artists. For them, the sport and variety performance are a perfect match, as both involve creating an alter ego and winning over the crowd.
Fist Club is for queer and female wrestlers and fills up rapidly across the UK. Audience members have even been motivated to start wrestling. With primarily drag kings, the show restricts straight male wrestlers to a minority, mirroring the experience of minorities in mainstream wrestling. The organizer emphasizes the goal of welcoming newcomers.
A successful match depends on the performance – convincing the viewers believe in the action. Safety are top priority, but injuries do happen. Olesker suffered a fracture in an initial performance, and Bandenberg injured both toes during practice, though she says it could have been worse.
In Glasgow, wrestling is being reimagined through artistic expression. Creators Luke George and Daniel Kok developed an installation using shibari, hanging participants to create art pieces. They've featured athletes in different locations, tailoring the work to each place. In Glasgow, they're featuring pro wrestlers to showcase stamina and physical limits.
Rope work and grappling both require trust and dialogue, handling power dynamics and safety. One artist says that wrestlers signal during matches to achieve a narrative, showing cooperation even in conflict.
Although interest in the sport may rise and fall, committed participants remain devoted. Long periods are dedicated preparing for shows, and creations like the installation highlight the perseverance involved. Through different approaches, artists aim to honor wrestling, bring in new fans, and show that it transcends gender, body type, or style.
One organizer sums it up: There's so much happening live, performed by people who are passionate. No one's in it for money; it's viewed as a creative art form that spreads happiness.
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